The bonkers movie that puts the adage ‘no man is an island’ to the test
The Sydney Morning Herald · Karl Quinn ·
The Incomer’s Domhnall Gleeson was made to suffer for his art during a Scottish shoot that had everything.
The Incomer’s Domhnall Gleeson was made to suffer for his art during a Scottish shoot that had everything.
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There’s such an all-pervading fear of foreigners in The Incomer, the debut feature from Scottish writer-director Louis Paxton, that you can’t help but read it as a thinly veiled critique of Britain in the age of Farage et al.
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